Wednesday 31 July 2013

{Prose/general fiction} "Countdown" {TW: Eating disorder references}

When I start to see the scale dip towards 100 and think of continuing the countdown to zero like a self-destruct sequence in slow motion, a part of me feels victorious. It feels like I am taking some kind of control of the way I have felt inside my whole life. I have always felt like a freak, was treated like one, and was eaten up by a hunger for touch and for connection and for things I cannot even name -- but on the outside I looked perfectly normal. There was no sign of my inner state and I was always judged and rejected if I tried to voice said state or show it emotionally. I have come to enjoy writing it on my skin, instead.

I like to make my body a canvass for the twisted silence in me. I like to look a little desperate. I like to look hungry. I like to remind people of things that unsettle them: Death, famine, poison, pain. When I embody the macabre I feel in tune with my inner self. It's just another method of nonverbal communication, and surely anything deconstructed with enough effect and purpose begins to teeter on the verge of art.

This is the mute horror that cannot be silenced yet cannot be ignored. This is impact. I will crawl under your skin and a part of me will haunt you in your last thoughts before sleep takes you.

When I look deathly pale I smile and feel touched by the mournful watch of the moon. Bones peeking through skin beg the softness of arms to fall into. My scars tell the story of a journey down a path that was not well-traveled. I stumble to you at the end of it looking sallow and blotchy and hollow-eyed, finally not having to utter a word to ask you to feed me, love me, hold me, bring me back to life and make me whole for a little while.


Art from: http://fineartamerica.com/featured/anorexia-laura-seed.html

Elementary

Elementary
Whatever possessed me to walk
To you again on that
Overbearingly sunny day
I do not know

You are not
Remotely far away
And I passed you
So many times --
On my way to the store,
Walking in the rain,
Or to catch the bus
To meet new friends --
Not even seeing you, really

You became
An oblique house of memory
That sheltered a shard of self
I broke off me with gut-splitting force
And buried,
Somewhere,
Like an obscure footnote
I hoped no one would ever find--
Not even a nice old couple,
Quite by accident,
Who'd likely feel only
An indulgent kind of pity

Not for other eyes
Are these marks

But I guess on that day
I was lonely enough
To hoard myself back together,
Now that the new friends
Have become old
And gone

I set a nervous foot on your soil
Trying not to flinch
When I passed the place
Where the white-haired wild monster
Of a librarian roared at me for hiding
Among the books at lunch hour
And I sobbed,
Great rolling salty tears,
For all the hate in that small world

You are pretty much gutted, now,
Like the war-zone you were

Where your out-buildings stood lie patches
Of mute gravel
Your playground is mostly just stumps
In dark old sand
And the batting cage
In the yawning field out back
Leans tiredly,
One foot off the ground,
Like a weary old nag

You are a strange sight
Among all these bright white houses
And overly-kept stamps of lawn

Like me you are
A brown and fumbling smudge
On this gleaming suburbia,
Always half in a state
Of abandonment




Lost in Cyberspace: The impact of social media on depression

Author's note: I would like to preface this post, lest it sound too negative, by saying I have met a few truly lovely people on Twitter and other such sites. These observations are about my experience overall, and are not meant to belittle the positive contributions of the few. Those few are the reason why I am still here.

I am relatively new to the world of social media as an active participant (rather than a studier thereof; I did learn its workings in college along with all my other web expertise); I think I have been actively engaged in it for about 3 or 4 months now. I got involved because I wanted to find my place in a community of active readers and writers, to get my work noticed on a realistic but noteworthy scale once I publish it, and to find work to purchase that really speaks to me as a person (a lot of mainstream media and books that are traditionally published really do not). I have always been a consummate 'outsider' and I hoped to find a community of other outsiders so we would all be outside together, which is in effect to no longer be outside at all.

I am also a sufferer of mental illness; bipolar disorder, to be precise and to satiate curiosity. Despite my illness, I have a long-honed positive attitude, high creative output, and lively energy, or... I did.

I cannot, of course, blame my experience with the internet alone for my current 'relapse' into negativity, depression, and frustration. I have been through hell in my 'real life' over the last year, and my life, like that of too many among us, has never been what you would call easy. I have experienced poverty, abuse, being abandoned by loved ones, etc. Be that as it may, I find social media is detracting from my recovery and overall state of mind, rather than being a venue for hope and support, and that is a problem. It's been bothering me so much that I sat down today despite advanced exhaustion to try to figure out all of Why.

One of the major reasons why is the complete lack of validation or being truly 'seen'. I feel like the internet kind of swallows me in a vast sea of white noise every time I spend too much time on it. It's not a feeling I am used to. For all my struggles in my offline life, I am used to my talents being validated by those I interact with, as long as I put in the required work to make them shine. I was always the student who, to give an example, spent long extra hours on their photography assignments and as such got straight As and their work shown off to the class as a good example. By contrast? Spend hours touching up, uploading, etc. those same photographs to deviantart, and not one person so much as takes the time to +fav most of them. I know I'm good, but it's hard to keep believing it sometimes, in that situation.

In my writing classes, my positive experience was always similar. I was diligent and paid close attention to what my professors told me, listening with humility and taking their advice, rather than being sensitive to constructive criticism, arrogant, or lazy. I was rewarded with brilliant grades and my poetry professor calling my progress over the semester an 'amazing literary journey'. He encouraged me to submit my work to publications, which is why none of my better work appears on this blog; I am saving it for such.

Basically, here's the thing: I'm used to hard work being rewarded with actual recognition. I don't expect to be treated like the second coming of Jesus for being able to write or do half decent digital art or what have you, and I have NEVER expected opportunities to simply come to me. 99% of talent is perspiration and persistence. I am beginning to fear, however, even that rule doesn't seem to exist in cyberspace, and that has a nose-dive sort of effect on depression. It removes the hope that things will get better, that all of this is going somewhere.

People with depression already tend to feel invisible. Entering into situations which validate that sensation is profoundly unhealthy. Similarly, we tend to be plagued by feelings of hopelessness, loneliness, and worthlessness. Forcing yourself (when you barely have the energy to even eat, or shower) to get up and do things like write or take photographs or create art, and to give those things your absolute BEST when you as a being feel like utter shit, is a monumental effort. It's like toiling your way up Mount Everest during a slow avalanche of molasses. And then to add to the above, the internet is FLOODED with absolutely jaw-dropping work in some areas (photography and digital art, primarily), so you are reduced to feeling like you could not compete even if you had the requisite energy to be prolific and the money needed to buy $10,000 worth of equipment and travel to picturesque locations. Recognition begins to seem like the byproduct of privilege, rather than hard work. That is oppressive.

Compounding all of that is feeling like 80% of those you follow on every site you share your work or words on is largely full of people who don't see you, but instead see you as one of many potential cows to be milked for money or greater exposure -- a surefire way to make one want to give up and shut off the computer. Even worse, it discourages one from bothering to create because obviously nobody that notices you even exist CARES about that aspect of you. You are just part of a perpetual, invisible audience.

Now, I really don't have anything against shameless self-promotion in and of itself, or advertising. I want other authors and artists to get recognized and validated for what they do. I want independent writers, bloggers, and those like me that suffer with limiting and sometimes invisible disabilities to be able to make a living in relative comfort. I'm not a greedy person; I want for others what I want for myself, quite freely. But when self-promotion is ALL YOU DO without taking the time to notice or talk to or promote your fellow independents or share anything of yourself, you contribute to a complete lack of community that comes around to make the life of newcomers entering the scene harder. Also, dear authors, let me just say this: I am far, far, far more likely to buy your work if we talk a little (even a few tweets!) and hit it off, or if you just talk about yourself as a person and your passions and show some of your heart, than if you just spam my twitter timeline with your book 589 times per day. In fact, I unfollow people who do the latter.

If we talk, or I like who you seem to be, and we have some modicum of chemistry as human beings, I am likely to assume your writing will speak to me, too. If I have no sense of who you ARE because all you do is self-promote without adding any context of actual self to it, I'm unlikely to purchase your work unless it looks bloody amazing. I am unlikely to even keep following your accounts; I don't follow 'brands', like Coke or Pepsi, so why should I make an exception and follow you? In my sense of the online community, we're here to build each other up and take a united stand against the limiting world of traditional publishing and media, it's not all about you trying to make a fast buck.

You would be amazed at the number of authors I have reached out to with an offer to help promote their work entirely without charge who have completely ignored me. No perfunctory "Thank you, I will keep that in mind" -- nothing. This rejection of basic human courtesy and generosity is something I have never experienced in the 'real world'. What is it about being behind a screen that encourages people to treat their fellow man as less than human? (Or less than animal; personally I have never ignored a dog or cat with that kind of flippancy, either.) It says something about the nature of people and the future of communication that is, in itself, depressing.

I think, personally, it's time to stop putting real personal effort into social media and put that energy back into doing what I love, and when I have more spoons, into submitting my work to physical publications and attending physical meetings of authors, artists, and poets. Aside from my blog and Goodreads, which actually does seem to have some semblance of community vibe, the rest is going to get my bare minimum of effort. Likewise, I am going to attempt a gradual shift away from following authors and start following more readers and everyday folk who use twitter to, well, socialize.

And to others suffering from mental illness or another disability, let me say this: What at first may appear like a great 'low spoons' method of interaction, validation, and exposure, may have too high a hidden cost, so choose where you invest your time wisely, and remember to keep good boundaries.

Peace and health to you all,

-Phoenix

Sunday 28 July 2013

Detroit: Dystopian Paradise

I have a fascination with abandoned buildings and generally desolate, eerie places. I find them beautiful in a chilling, stilling way that makes one pause to reflect.



I've always been a tad morbid, but not negative. In the silence I see hope, the idea of new beginnings, of building something better. Detroit seems to embody so much of that (from the 'Paris of the Midwest', to a sprawling post-apocalyptic drug mecca, to being largely reclaimed by nature -- a center for urban farming to take root and artists to flourish); it's hard for me to even comprehend such a place exists in one of the wealthiest nations in the world. America is such a bizarrely polarized country, or so it seems to my outsider's perspective. I've only ever been to the country briefly, once, many years ago. I went to upstate NY and I have to say it was creepy as hell in its own right. I'd love to go back but can't convince anyone in the family to drive me...








Some links to further excellent photographs and articles:

http://www.wired.com/rawfile/2013/01/detroit-dave-jordano/

http://sararemington.blogspot.ca/2011/09/detroit-rock-city.html

http://laughingsquid.com/escape-to-detroit/

http://www.63alfred.com/thewalls.htm





Saturday 27 July 2013

So, this happened.

It happened about a week ago, to be specific, but I hesitated on posting about it because I didn't want to come across like a nut. But, I have given in to the temptation to write about it, because it keeps nagging at me and if nothing else it may give you horror and paranormal writers some inspiration.

I have had quite a number of inexplicable things happen to me over the years, but I wrote most of them off as 'weird, but not definite proof of anything specific'. I'm not a 100% closed-minded person by any means and believe in a wide range of spiritual concepts, but I lean towards a healthy dose of skepticism. It keeps an imaginative person like yours truly balanced.

I have seen UFOs, but at a distance -- not close enough to prove them as, yes, definitely a giant alien spacecraft hovering on my front yard, complete with little green men peering curiously at this lower life form. I have heard the sound of someone invisible loudly clapping their hands beside me (even ghosts think I'm awesome!), and had an invisible force shove my leg hard enough to move me sideways, but one cannot definitely prove those things as not being bizarre hallucinations. The only proven odd experience (one which I had a second reliable witness with me at the time of, who observed the same phenomena) I have had is seeing blinding white flashes of light indoors in my room, as if someone had just pressed the flash down on a camera. Now, I am one of those freaky hermits that sits in their room with their blinds closed and curtains drawn most of the day (the sun creates glare on my laptop screen, hiss), so this definitely was not caused by anything outside the room.

But, whatever, right? Maybe I just have some really enthusiastic static going on in there. My presence is electrifying, even to dust.

All of these experiences seemed isolated and benign and never took up much of my conscious thought, which I have mostly devoted to other deeply important things, like Skyrim and memorizing which stores sell the plain kind of Fritos, not just barbeque. Then last week, I had a dream.

In the dream, some kind of entity shifted form, between several people I was close to in the past, who frankly treated me rather horribly and then abandoned me like the happy-go-lucky, soul-sucking leeches they are. When I figured out I was in a dream (something I almost always do -- I know, in my dreams, that I am dreaming. I figure it out, have a full conscious awareness, and even the ability to CHANGE my dreams if I don't like them. My head is my own personal Choose Your Own Adventure novel, you guys), the entity felt 'caught', and tried to flee. I chased it to a closet. When I opened the door to the closet it had shut itself in, before me stood a seven foot tall, red and black demonic... Thing. Which then attacked me. I fought back, and it retreated. I woke up. I thought damn, that was weird, but it was just a dream. And I moved on with the rest of my day.

The following night, I was up late, as is my habit. I was at my bestie's place and we were sitting on our computers. The cat was asleep beside me. All the windows and doors were closed up for the night. The house was still.

Suddenly, we hear an enormous crash. The clock on the kitchen wall, which must weigh 3-5 pounds, has flown across the house, more or less. A good 15 feet. I am not exaggerating this. The nail on which it hung is still perfectly stuck in the wall. The clock seems to have crashed against the fridge on the opposite side of the kitchen, ricocheted, and broken, at precisely 3:33 am, for no readily apparent reason. This clock had previously hung on its wall without an issue for years.

Well, that's odd. I didn't let it get to me, though, mainly because I was too lazy to be freaked out enough to go home or even go upstairs. I shrug and go back to the internet (priorities are priorities, after all). This, my dear readers, is why horror is the one genre I simply cannot write. Can you imagine it? "Just at the moment the terrifying apparition appears and the windows begin to rattle as if shaken by the distant thunders of hell, our hero sees something really interesting on Tumblr..."

Yeah, that one isn't going to work out for me.

As I browse the net like the alarmingly complacent social media junkie I am, my bestie says to me, "It's really odd the clock stopped at exactly 333. In chaos magic that's the number of a major demon." Curious, I look it up. Yep, he's right. According to chaos magic (which I don't know much about, so don't ask me how credible it is, but I tend to treat all religious beliefs as equally credible), it's the number associated with a major demon who is apparently known for changing form frequently, and attacking people before staging mock retreats, as if luring them into the false notion they can beat him. Well, looks like the weird cake just got its icing, kids.

Fortunately, I am pleased to report that I haven't yet started speaking in tongues, crosses haven't started vanishing from houses I enter, the walls aren't bleeding, and basically nothing too spooky has happened since. I am guessing that he didn't enjoy all the hours of browsing for humorous pictures of cats.

Tuesday 23 July 2013

Macoun Marsh, Ottawa

This surprising little patch of life, home to 1200 species known species of flora and fauna, directly abuts the sprawling, manicured grounds of Beechwood Cemetery, just off of St. Laurent Boulevard.


Macoun Marsh is lucky to exist at all -- it used to be part of a larger wooded area that flanked the southeastern end of the cemetery, an area which has since been lost forever to the increasing intensity of urban development within the city of Ottawa. The marsh was saved by the dedicated efforts of the students of the St-Laurent Academy, under the tutelage of teacher Mike Leveille and with the aid of the Beechwood Cemetery. It has since served as their research project, an 'outdoor classroom', and has won several awards for its unique efforts to preserve biodiversity within an urban space.









Many educational plaques line the trail:








I am personally very grateful to the efforts of these students and Mr. Leveille; I believe conserving small patches of truly natural land such as this one within the city is vital to the health, well-being, and harmony of us all, along with conserving valuable islands of habitat for rare species. The tranquility of these microcosms within the noise, smoke, and stress of the urban world is priceless. In my photos, I tried to capture the essence of that essential peace.










Prints of some of these are available on my deviantart page for any who are interested: http://phoenixjackson.deviantart.com/

Monday 22 July 2013

A very random question...

Yes, this post has little to do with writing or art or... Anything of a significance deeper than burning personal curiosity.

I have grown to consider Spam one of the great mysteries of the internet. There is so much of it. Email, twitter DMs, even SMS... It seems to find one almost wherever one goes.

The mystery in it, for me, is how in the world is it lucrative? Wikipedia states, "Spamming remains economically viable because advertisers have no operating costs beyond the management of their mailing lists," but, be that as it may, surely it still takes a good deal of time to set these systems up? Or to run around Twitter spamming DM boxes? Someone must pay these people to do these things...?

And really, who will click on links describing things like how to meet amorous Asian girls, or how to enlarge one's genitals in a substantial and surely medically unsafe way, unless the person in question is both terribly insecure, and has been living under a rock for, oh, about 15 years now? Surely, all the time and effort and money of those creating these spam messages must be at least 80% in vain? How in the world does such a proliferation still exist? A margin of at least 15% of recipients who click by sheer accident...?


Saturday 20 July 2013

Review: Lover's Inferno, by Brandy Owens

"Her hand fell on my shoulder. I licked my lips, brought out of my thoughts, and looked up to her face when she spoke.

“Is it true?” she asked me, her voice a higher pitch than her normal, sultry alto. A tremble gyrated in her vocal cords.

My stomach squeezed and flopped. “Yes, but I have no choice. I want no part in it. I want to be with you, Martha,” I confessed . I felt significantly lighter after expressing that aloud, as though some of the weight of my burden lifted from the depths of my very soul. Still, fear churned in me at the knowledge that only the Reaper's unyielding hand could free me from the impending doom that winked at me from the near future. Nothing on Earth or in Heaven or Hell would allow me the only thing I wanted: to live with Martha as a married couple. I could never openly love another woman..."
To keep reading this work, buy it here at Amazon.

I bought this story precisely because it is a short story, one which I could read easily in a sitting. The aim of any short story, in my opinion, is to deliver as much possible impact and imagery into the mind of the reader in a bid to garner an emotional reaction therefrom -- all without having the benefits of lengthy character and plot development afforded to a novel.

In that aim, this story is successful, overall. The vivid, dramatic prose is infused with high levels of emotion and the intricate details of the character's interactions, which has the effect of making the reader almost physically react to what the embattled lovers are going through. The description of the setting and the tactile experiences of the characters in it is similarly rich, bringing to life in the mind's eye the microcosm of this brief tale.

That being said, I felt this story was guilty of a bit of 'telling' rather than showing, notably by repeatedly emphasizing how doomed the lovers are and how cruel is the world in which they live, something that -- at least to my perspective -- took away somewhat from letting the reader feel the tragedy through the characters themselves and the unfolding of the story.

Likewise, the prose could use a bit of fine-tuning in places for minor errors like word repetition and a handful of common grammatical mistakes, and I feel the story would be of greater impact overall if the minor characters were fleshed out a bit more. But certainly, especially given the modest price, this tale is worth a look if you enjoy unrepentantly emotive accounts of forbidden love.

Connect with author Brandy Owens:

Twitter:

Blog:  http://wordsandstars.wordpress.com/

Garden-Song

The world carries a soft perfume today,
One that sneaks up on the senses
From a distance,
Dancing in on the rustling breeze
As if from the silk of skirts
Bent as ladies laughed
During elegant teas
Taken in gardens long grown over
And gone to seed
With lacy ghosts

Their genteel murmurs come to us,
Still sung,
On the lazy breath of June

The Scar

An abandoned train-track
You roam, winding
Through the wilderness of me

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If you would like to submit your work for review, contact me at electriccandy@gmail.com and include:

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