Saturday 16 November 2013

New Photos -- Finally!

So, I've been very busy lately. I landed myself a job as the writer-on-staff (as well as being the webmaster and graphic designer and photographer...) for www.prylab.com. It's a local business that sells Raspberry Pi mini computers (I have one; they're super cool -- basically a desktop computer that's about the size of a credit card and costs $30), so I've been all kinds of distracted learning Linux and all about the Arduino microcontroller so that I can write about said gadgets. I've always had a love of technology, so this marries my interests really well. It's been one good turn in an otherwise UNREMITTINGLY AWFUL year.

But, I have been missing my art, so the other day I took a stroll around Vanier and shot some rather dystopian photos with my beloved DSLR. The full size versions are available to download as stock (eg., to be used on book covers, etc.) at my Deviantart page.




Wednesday 23 October 2013

Tracks

I didn't mean to drag you down, it’s just that I show love by suffering at people. That’s how I express myself. I learned to find a freedom in it, through it, and I wasn’t so much trying to pull you down as pull you with me. Where to, I don’t know; I think the point was not knowing.

Do you remember that time we followed the old railroad tracks in winter to that abandoned sugar-shack sat still since about 1955, frozen in time, unchanged even though so many springs passed since and the sap flowed fresh and rich and golden each time? Who decided to stop harvesting it? Who just gave up one day and said fuck it? Decided to stay home? They didn’t come back to collect anything off the walls. They just left it all as it was.

Only a few vagrants had enjoyed it since, as evinced by some half-crushed Pepsi cans and other modern rubbish. And us, we enjoyed it, before the barking of large dogs sounded in the distance, but definitely getting closer. I imagined them, hulking and black against the snow, barreling down upon us as we spent those last surreal days together in late February.

And then, you boarded the plane for China. Where else could you go?

Tuesday 15 October 2013

Published!

My author bio and my article on writing effective poetry are now published (under my birth name)! Come take a look!

http://www.thenewsinbooks.com/interview-with-author-jen-field/

Thursday 10 October 2013

Poem -- "Ottawa"

The best time
To capture Ottawa
Is when the wee hours
Caress its pale gray stone
During early October
In between the wild contrast
Of its seasons

That's when
The gilt-burnished leaves
And brilliant lights so clean
Snap fast
Across the dark dish
Of its lull

So rural
So oddly rural
Its nights rustle
Like a country lane
Full of slapping leaves,
Smattering sounds,
Clapping against tires
Whistling in the damp hiss
Of space

And even Vanier
Makes me breathless
With the way light pools

In the junk space
Between its houses

Sunday 22 September 2013

Art using my art!

Someone used my stock background art, Mistvale, in their own artwork and I'm so pleased to see it that I had to post it here. Check out the lovely artwork of Bloody_magpies from Deviantart:


Thursday 19 September 2013

4 am

I love the pine boughs
At 4 am
When everything's wrong
But their blackness
Against the shaded
Deep navy blues
Of night
And that little hint of silvery light
Kissing the spaces
Between rooftops
Reminding me
To breathe deep
Look beyond
Swell the heart
Straining
Against something
So vast, so beautiful, so cold.

Tuesday 17 September 2013

The Home

Expanded on some twitter micropoetry, expressing the experience of working in a dingy nursing home.

The Home

Florid sacks
Of fluid
We slosh around all these
Ghosts burning in our guts;
We give them
Names

Dribbling, moaning
They fester their last hour
Slumped, twitching
Against the dusty blue dusk
Of a tiled hall

Hugging their jumbled
Cold gray bones
We close our eyes

Sunday 8 September 2013

Don't be afraid to feel. Fear is never strength.

There are a lot of people in this world who seem, on some level, afraid of their own emotions. They mask them with sarcasm, irony, logic, substance abuse, denial, or some other form of distraction.

I am one of those people, and it’s silly. Why are we, as a culture, so ashamed to feel? What’s weak about crying? Emotions are the very thing that give power to all we do. The more emotion you can poignantly convey when you create, the more powerful and moving your creation. The more emotion you feel in a touch, or when you look out over a stunning natural vista, or greatest of all when you see the sun dapple on a weed in gravel and suddenly understand that it’s marvelous, the more you understand about life and the more you appreciate it.

The ability to feel strongly is a gift. Don’t hold back.

Thursday 5 September 2013

Tumblr

I blog a fair bit over at Tumblr... if you're on there, let's stalk one another ;)

http://sad-eyed-dolls.tumblr.com/

Tuesday 27 August 2013

Shadowvale!

Well dear readers, Shadowvale Productions is now live and accepting all kinds of guest submissions (for writing, art, and if you are a cover designer, you can showcase your work in the shop or gallery).

I am the web designer, maintainer, and a major contributor -- I made all the graphics and did the custom CSS and the whole bit. Come check it out!


Poetry: "2013"

 Note: This was supposed to be a post and doesn't follow any of my usual rules for writing decent poetry, it's just an emotional mindspill and not intended to utilize imagery or anything remotely artistic. It's a diary entry that was easier to write in poem form, and that's all.

2013

Today I'm thinking
About the end of the world
2012, and all that.

Yeah, nothing happened--
The year ended,
Christmas cheers said as best we could
While my brother lie in bed
Head bandaged
And we didn't know
If he would ever be the same again

As he lay in recovery,
Our rabbit died, ten years of companionship
Became a pile of dusty shavings, ash
Gone out with the garbage
And seen again only
By the body swerving
To move around a cage no longer there

Goodbye, little friend.

As my brother suffered,
Struggled with life and death
Physically, and metaphorically
Someone decided it was okay to turn a corner
Near the end of our street
At twice the speed
You should

There went Daddy's nice shiny
Brand new car, ebony flecks
Of paint and metal
Bursting under the sun
Like confetti

And my father's speech slurred and his vision blurred
And nobody knew why until they saw
The scans of blood on his brain

Now he lie in recovery too,
And there was no money, no sick leave
No security, no, he'd never been that wise
Or any kind of wise at all

In 2012 we were going to finally
Move out to the country,
My waking dream since I was tall enough
To see out the car window and know there were trees,
Seas and seas of trees,
Somewhere out there

Now that was taken away, too
I'd quit my job in the city for it
I was left with nothing
But poverty

Real poverty,
Not you the kind where you shop
At Walmart
And can't afford the latest xBox games
And think all your friends
Look cooler than you do

The kind of poverty
That becomes your daily companion
Braying hunger and worry and uncertainty and
Fearing to touch anything precious to you
Because if it breaks, it's gone
And if it doesn't break
You'll probably have to sell it

The kind of poverty that eats at your dreams
Like it eats at your body
And convinces you it's pointless
Everything's pointless
There is only suffering
And bracing
Cowering
Frozen with rage as much as fear--
A burnt out tree-trunk
Standing jagged against the wind

Yes, we made it to 2013
There was no bang
But I think I heard
A whimper.

Sunday 25 August 2013

New art!

Finally got around to doing some new PS art. It's going to be a background for a premade book cover I'll be offering for sale; if you want to 'reserve' it, let me know.



I also completed the cover for my upcoming book of poetry, Woodsmoke. I hope to have it out mid-2014.


Monday 19 August 2013

Guest post: An Exciting New Adult Paranormal Thriller: Empath (Flawed #1) Book Release and Giveaway



I'm very excited to announce the release of my latest New Adult novel Empath, the first book in the Flawed Series. Read on to find out more about this paranormal thriller and be sure to enter the giveaway at the end for an awesome prize package.

The Struggle of an Empath

Supernatural empathy isn’t a gift, it’s a curse. Anywhere she goes, Jade’s emotions are replaced by those of the people around her.
Jade grew up in a suburb of Colorado Springs, protected from other people by her parents. Now she faces college—and the world—with nothing to shield her from unwanted feelings.
When Cam, a classmate with a major crush on her unintentionally hijacks her emotions, Jade struggles to keep from being carried away in feelings of attraction. When Ethan, a psychopath with a thirst for fear, fixates on her, the emotional impact could be lethal. </ p>
Caught in a deadly trap, Jade must untangle the emotions and find a way to use her empathic curse to overcome this killer or be overcome by him.

Empath eBook Now Available

Get your ebook copy now at any of these sites (paperback copies are not yet available, but coming soon! ):
Kobo (coming soon!) | iTunes (coming soon!)

Prize Package Giveaway

To celebrate the release, I'm running a giveaway for two lucky winners.

Grande Prize:

A rare, autographed proof copy of the paperback
A 12" X 18" poster of the cover art
Empath notebook Empath notebook
Empath collector's button
Empath 

button prize copy

Second Prize:

An autographed paperback copy</ h4> a Rafflecopter giveaway IMG_9817 a lowresBecca J. Campbell is the author of the New Adult Romantic Science Fiction novels Foreign Identity and Gateway to Reality, and Sub-Normal, a series of short stories. An avid lover of stories that tiptoe the line between fantasy and reality (even when they plunge off one side or the other), Becca looks for new angles on bridging the gap between the two. She holds a special place in her heart for any story that involves superpowers or time travel. Her passion is defying the limits of her own creativity. You can find her on her Author Blog, Facebook, Twitter, Goodreads, Pinterest, and Amazon

Monday 12 August 2013

Abandoned places part 3 -- The Hotel del Salto

"Abandoned (Haunted) Hotel in Colombia
The Hotel del Salto is located near Tequendama Falls on the Bogotá River in Colombia. It was opened in 1924 and shut its doors in the 1990′s. The hotel’s Gothic design is perfectly enhanced by a river and waterfall. Some say the hotel is haunted and no one wanted to stay there. Others state that the adjoining river was extremely polluted and they had to close. For whatever reason, the hotel stands as a beautifully macabre landmark for lovers of classic architecture, urban exploration, and maybe a few ghosts."

I would LOVE to go here, my god... so gorgeous.


Wednesday 7 August 2013

Poetry Feature!

One of my poems was featured on Cassandrapedia! I'm honored to have been chosen; thanks, Cassandra!

 http://cassandrapedia.com/a-poem-by-phoenix/

Premade Book cover for sale!

I decided not to use my last graphic on my website, so I did the detail work on the face etc. and polished it up as a premade book cover which is now for sale. It's available first come, first serve, and once the cover is sold, I will not resell it. It will be yours exclusively.It's 600x800 pixels but I have the original high-res image so I can potentially adapt it to other sizes. Text will be customized to your needs. Payment my paypal only. Email me at electriccandy@gmail.com if you want to claim it. $15.



Tuesday 6 August 2013

Book Exerpt: 'Surviving the Fog' by Stan Morris

"Then the Chief looked at the prisoner and said, "Bring him.”
The man started yelling at us, and he threatened to kill the Chief.  He described some really vile sexual things that he would do to us girls if we didn’t let him go.  Some of the kids got really frightened then, and some were so frightened they asked the Chief to let the man go.  They even spoke to the man, and they begged him to promise that he would never bother us again.
The man was struggling, and he was a big man and strong, but Ralph, John, and Howard held him firmly, and the other Spears helped them push the man onto the barrel.  It tried to roll out from under him, so the Chief called for some kids to hold the barrel steady at the ends.  The rest of the Spears, and some of the other kids, grabbed the ends of the barrel and held it steady.
The Chief climbed onto the barrel, and Douglas handed him the rope.  The Chief struggled to work the noose over the head of the wiggling man who was cursing at him.  Once he had the loop around the man’s neck, he tossed the other end of the rope toward a big tree branch.  It fell short, and he tossed it again and again, until he made an accurate toss and the end of the rope dropped over the thick branch.  Then he jumped down.
Ahmad, John, and a Spear named Rasul grabbed the loose end of the rope, and they pulled it rigid to lift the prisoner’s head.  The man kept cursing them.  I wasn’t sure, but I thought I heard the Chief ask the man if he wanted to pray or something.  I know that behind me, I heard one of the boys praying quietly.
They lifted the man onto the barrel and helped him steady himself, and then they stepped back.  The man wavered, and then he caught his balance.  Ahmad tied the rope tightly under a bole on the trunk of the tree.
The Chief said, "Do you have any last words?"
I don’t think the man truly believed that the Chief was going to execute him until that moment.  He turned ashen and began to breathe very heavily.  I wondered if he was going to beg for his life.
"I'm sorry about your friend," he stuttered.
The Chief stepped onto the high side of the root, and as he did Howard stepped forward.
"I'll help," Howard said.  "I didn't go with you when you fought, so I'll do this.”
To my surprise, Ralph came forward and said, "I want to do it.”
But the Chief shook his head and refused his request.
Then Desi stepped forward.  "I'll do it.  One of us should be a girl," she said, and she got into position behind the barrel.
Some kids were hiding their faces by now, and I was one of them.  Maybe some of us were curious, but I think that most of us were scared or horrified at what was about to happen.
I heard the clank of shoes against the barrel.  The boy praying raised his voice, but I heard the barrel move, and I heard the man gasping, and then with a loud sound the barrel crashed over to the other side of the root and rolled down the hill.  I heard the rasp of the rope as it slid taut against the branch of the tree.  The man made a few noises for a second, and then he got quiet.  I turned slightly and saw his feet swaying, and then a few seconds later I smelled a terrible smell which I realized afterward was the smell of his waste as it was released from his body.  I felt sick, so I moved a long way from the tree and vomited into some bushes..."




Read more on Amazon, Barnes and Noble, Smashwords, or iTunes.

About the Author:

"I’m Stan Morris.  I was born in Linwood, California, and was raised in Norwalk and Concord, California. In 1972, I moved to New Mexico. I met a girl at college in 1975, set out to score, and have been married to her since 1977. We lived in Texas for five years and then moved to Maui. We have two grown boys, both gainfully employed, thank goodness. My wife had the career and I had the job, so I worked at a variety of those before developing a computer business in the late 1980's. Now I'm retired and living on a farm. I garden, watch sports, listen to music, read, and write. I don't make much money at it, so occasionally I have to ask my wife for my allowance. She's the principal at an elementary school who is retiring this year (2013). I like science fiction (Heinlein, Asimov, Weber, Flint), romance (Krentz, Roberts, Morisi, Chesney), mystery (JD Robb, MC Beaton), historical fiction (Lindsey, Stewart), and history books (Shelby Foote, David McCullough, William J. Bernstein.)"

More about the 'Surviving the Fog':

"Surviving the Fog is about a group of teenagers attending a camp in the Sierra Nevada Mountains.  The camp was designed to preach abstinence and teach methods of birth control.  After a week, the cell phones are not connecting, and the mail has not been delivered, so the camp administrator and most of the counselors leave for a short visit to a nearby convenience store.  They never return.  After another week it become clear to one boy that something has gone seriously wrong in the world.  Then the campers discover that they are surrounded by a mysterious brown fog that appears to cover the earth below 6,700 feet.  The story is narrated by fourteen year old Kathy.  She focuses on their efforts to survive the elements, outsiders, and each other."

Book Trailer:

Youtube: https://www.youtube.com/watch?v=8FB5As2XVis

 "I don’t recall, exactly, when I accepted the likelihood that my mother, and my father, and my sister, and my brother were dead.  I remember gradually becoming alarmed when the Camp Administrator, who we called ‘the Admin,’ did not return with the counselors who had left with her.  And I think the first time I cried was the morning Jackie, the single remaining adult, refused to leave her cabin.  I must have begun to face the truth when Jacob told us about the fog covering the land below us, but it was sometime after that when I realized that I would never see my family again.  I was alone in a dangerous world, trapped in the Sierra Nevada Mountains by a deadly mist, and surrounded by strangers I had never met before that fateful month of May."



Abandoned places part 2

odditiesoflife:


Abandoned Places Everywhere
From around the world, some of the most beautiful and enchanting abandoned locations:
  • Holland Island in the Chesapeake Bay, Maryland, US
  • The Kerry Way Walking Path, Ireland
  • Craco, Italy
  • Blade Mill, France
  • Czestochowa Train Depot, Poland
  • North Brother Island, New York, US
  • Bodiam Castle, East Sussex, England
  • 19th Century Mill, Sorrento, Italy
I've been to the last one. It is all lit up at night and it is GORGEOUS!

More beautiful abandoned things/places.

I saw these images on Tumblr today and I thought I would share them here, too, as my post on Detroit seemed popular with you all. I've no idea of the source of these photographs (my apologies) because they weren't attributed to anyone in the post from whence they came.



Saturday 3 August 2013

New art!

I made this up quickly tonight trying some new techniques and readying some potential graphics for a new joint project... Turned out well for something done in a few hours. Not sure If I will use it in my project or not but it's a good temp graphic at least.






As always a print is available at Deviantart: http://phoenixjackson.deviantart.com/art/Golden-Autumn-390587845?ga_submit_new=10%253A1375588363

Friday 2 August 2013

{Prose - Genre: Paranormal fiction} That Voice {Warning: Dark subject matter, strong language}

I sat before the mirror in the large, ornate bathroom next to my room. Black was everywhere around me. Usually I find it comforting – the obsidian hue of the tub, the subtle ornate patterns catching soft threads of light where raised from the black walls, the cool smoothness of the vanity before me, my onyx-handled brush, combs, cases... But on this night I felt something oppressive, cloistered; a damp heaviness in the air around me. My own breathing caught my attention unduly.

Focus, I told myself, staring hard into the reflective glass before me. It was not mere self-appreciation that held my gaze fast; not this time. My pallor was stark under the wan moonlight whose shafts slid in through the small window to my right. My eyes did not shine in the dark as they usually did. I could not have this; I could not let those I work with see my vulnerability, and I could not rely on simply being able to avoid them for a while. Things come up, unexpectedly. I always have to be ready.

I closed my eyes and fixed a mental image in place; it was one of my father's memories. It was myself a few months ago or more, with my love, my arm around his shoulders, drink in hand, smiling wide, looking radiant. Yes; that is how I like to remember myself. Focusing on the image, I held myself in a place of stillness until I felt a shiver of energy run through me. When I opened my eyes again, I had shifted subtly. I still looked entirely like myself, only much healthier. I smiled. Like a diseased whore who paints her face to be sold to the night, I had my disguise. Such are the perks of being a shifter.

But what would I do about Katrina? She could see through my shifts. My mind chewed over how to manage that variable; could there be some way to turn it to my advantage? I laughed softly, entertaining notions of feigning madness, playing that I had succumbed utterly to addiction once again, of luring she -- my enemy -- into complacency. I imagined her crowing over knowing my secret, my illness, when others as yet had no idea. Would she try to blackmail me? No, too obvious. After a moment, I shook my head and decided to think more on it all later; there were more pressing tasks on the agenda for today.

I tried to turn my thoughts to more present matters, but my mind lingered on the thought of drugs like a hand lingers on a gun. There was a brief impulse of clawing lust for the forbidden powders, but it was quickly overtaken by memories that sunk my heart to the lowest reaches of my stomach. Why must I have the memory I do? One would think that being as stoned as I was, it would all be gone. No, no. Far from it.

I remembered vividly the sight of my dearest one slumped in his chair, unable to even aim the needle very well anymore, hardly awake, but mumbling that he wanted more. “Here, love, let me...” I had smiled, kissed his face and neck slowly, tied him off, calmly and sensually pierced the graying skin of his arm with the needle. I had fed off the rush of pleasure that filled him, sucking in that energy to accentuate my own high. I had swallowed down his drug-laced blood with a snarl and he loved it. I saw one thing, then – willing prey – and it had always awoken the beast. How many times had I picked him up, thrown him on the bed, pushed myself on top of him...? I wanted to vomit. What was I thinking? What kind of remorseless fucking creature am I? It had all seemed like good fun at the time, a perpetual party, us blind in our reverie to any sight of the consequences that lay in our path.

But sitting there seeing it all with the hard clear lens of sobriety, I beheld a dance of destruction I had done but little to prevent. I remembered my father; the dire warning in his eyes. “You will consume him,” he had said, his gaze intent upon my face. No Father, not me, my love is like me -- tough, wild, strong... It will all be fine. He loves it as much as I do. He wants this. We're different.

We weren't different. We were no different to anyone else who threw their life away, piece by piece, on senseless gambles of pleasure. “I like living this way. I'm happy. I revel in the decadence; there, I am alive.” More words, spoken in the heat of the narcotic fire. More defiance -- yes, brilliant! Rebel! Fuck what other people think! Fuck ANYTHING else in this godforsaken universe but my own pleasure, right? ME, ME, ME, the great axis on which all of creation fucking spins!

That is the voice of rage -- rage that became selfish, decadent masturbation as I ground my heel into the face of the life that hurt me.

As emotions welled up in me, my focus wavered and I shifted back to my natural form suddenly. I was faced again with the pallid, sickly face in the mirror. My eyes looked black, empty, dead like a shark's eyes, the eyes of a creature that does nothing but drift and consume, trailing the scent of blood for miles.

"You are disgusting." The words echoed deep, with finality, their powerfully masculine reverberation surging up from some hidden place within me. It took me a moment to recognize their origin but then, with a chill tracing up my spine, I knew.

That voice, that voice in the back of my mind, grating and dark and biting like the grind of steel. Not my voice, and yet it must be a part of me. It echoed not from without like a true auditory hallucination; it was clearly within, but oddly apart, like a splinter of thought that had slithered away from me to grow new life alone. It had been with me all my life; God knows I have always been more than a bit fucked in the head, but I had not heard that particular inner demon in so long that I had nearly forgotten about it. The last I could recall speaking of it, I spoke of it as a distant memory, a mere footnote in my history of madness, an unanswered question destined for the annex of all the torn pieces of me.

All I really knew to this day was how badly 'it' wanted me dead. It wanted me to suffer. It was in control when I tried to harm those I should have loved, years ago; it had tried to keep me from ever finding love, it had scared me so God damn badly I drank and drank trying to escape it and it got worse, and worse – I lit rooms on fire, drove knives into my arms, I...

Too many memories, too many. I was so weak then, so starved, so ill. As I had grown more and more in power, as I had filled my life with lost family regained, the voice had been drowned out. I had grown stronger than it. It had become a part of my past -- its hateful, vicious hissing no more than the hint of an old nightmare that stained days too dark and muddy to grasp in the clear stream of the present.

But I was not strong now, I was not powerful, and there it was again, as clear and alive and raging as ever before. I could feel it wanting to eat me alive. I could feel it writhing in my gut like a heaving, slithering sea of tar. I was frightened; truly frightened. Guilt, panic. I thought I had left those behind, too.

I wanted to scream, I wanted to cry, I wanted to lash out at something, release it. But not for me, such small mercies. My long-honed walls of composure held fast. My face remained calm as a moonlit lake on a still night. Tranquil, tranquil... No hasty, haphazard reactions to mar the mask -- just silent horror gripping at my chest, leaden fingers resting there with the threat of hells I never wanted to contemplate, but am, because I somehow found them buried within my own person. I had stumbled upon the yawning maw.

I gazed into it and it smiled -- leered -- back at me. "Hell is yourself,"  it whispered. Who was it that had once said that? Had he known my secrets? My mind was growing clouded, the shadows of memory crowding around me, a dizzying throng of specters.

I winced; I hurt. My body was starting to shudder, convulse. Pain stabbed through my arms, legs, drove itself hard into my stomach like a kick. I reached desperately for the little cup of methadone on the vanity before me; my hands were so weak that my fingers trembled, drops spilled before I drank down the liquid. I waited, desperate for some ease. The pain only worsened. I saw stars and heard deep throaty laughter before the world went black and I, along with my chair, crashed to the floor.


© 2013 Phoenix Jackson. Do not use or reproduce this work in whole or in part without written permission. Any unauthorized use will be punished to the fullest extent of the law. All rights reserved.

Thursday 1 August 2013

Advertise With Me

Looking for an inexpensive way to promote your book, website, or art? I am now offering ad space on my blog. There will be 3 ad spaces available at the top of my blog (250 pixels high, 300 across) and one space on the left-hand side of my blog, (400 pixels high, 200 across). I will help you create the art for your banner ad at no extra charge if you need help; I am proficient in Photoshop and can do so quickly. In addition to your ads being placed here, I will promote your book/website/product on Twitter daily for the duration of the period in which you have rented ad space. There is a flat rate of $10 per month for this combined package of services; slots to be had on a first come, first serve, basis. Email inquiries to: electriccandy@gmail.com

Note: THE MONTHS OF AUGUST AND SEPTEMBER ARE FREE GIVEAWAY MONTHS!  

Three slots reserved, one still available.

Wednesday 31 July 2013

{Prose/general fiction} "Countdown" {TW: Eating disorder references}

When I start to see the scale dip towards 100 and think of continuing the countdown to zero like a self-destruct sequence in slow motion, a part of me feels victorious. It feels like I am taking some kind of control of the way I have felt inside my whole life. I have always felt like a freak, was treated like one, and was eaten up by a hunger for touch and for connection and for things I cannot even name -- but on the outside I looked perfectly normal. There was no sign of my inner state and I was always judged and rejected if I tried to voice said state or show it emotionally. I have come to enjoy writing it on my skin, instead.

I like to make my body a canvass for the twisted silence in me. I like to look a little desperate. I like to look hungry. I like to remind people of things that unsettle them: Death, famine, poison, pain. When I embody the macabre I feel in tune with my inner self. It's just another method of nonverbal communication, and surely anything deconstructed with enough effect and purpose begins to teeter on the verge of art.

This is the mute horror that cannot be silenced yet cannot be ignored. This is impact. I will crawl under your skin and a part of me will haunt you in your last thoughts before sleep takes you.

When I look deathly pale I smile and feel touched by the mournful watch of the moon. Bones peeking through skin beg the softness of arms to fall into. My scars tell the story of a journey down a path that was not well-traveled. I stumble to you at the end of it looking sallow and blotchy and hollow-eyed, finally not having to utter a word to ask you to feed me, love me, hold me, bring me back to life and make me whole for a little while.


Art from: http://fineartamerica.com/featured/anorexia-laura-seed.html

Elementary

Elementary
Whatever possessed me to walk
To you again on that
Overbearingly sunny day
I do not know

You are not
Remotely far away
And I passed you
So many times --
On my way to the store,
Walking in the rain,
Or to catch the bus
To meet new friends --
Not even seeing you, really

You became
An oblique house of memory
That sheltered a shard of self
I broke off me with gut-splitting force
And buried,
Somewhere,
Like an obscure footnote
I hoped no one would ever find--
Not even a nice old couple,
Quite by accident,
Who'd likely feel only
An indulgent kind of pity

Not for other eyes
Are these marks

But I guess on that day
I was lonely enough
To hoard myself back together,
Now that the new friends
Have become old
And gone

I set a nervous foot on your soil
Trying not to flinch
When I passed the place
Where the white-haired wild monster
Of a librarian roared at me for hiding
Among the books at lunch hour
And I sobbed,
Great rolling salty tears,
For all the hate in that small world

You are pretty much gutted, now,
Like the war-zone you were

Where your out-buildings stood lie patches
Of mute gravel
Your playground is mostly just stumps
In dark old sand
And the batting cage
In the yawning field out back
Leans tiredly,
One foot off the ground,
Like a weary old nag

You are a strange sight
Among all these bright white houses
And overly-kept stamps of lawn

Like me you are
A brown and fumbling smudge
On this gleaming suburbia,
Always half in a state
Of abandonment




Lost in Cyberspace: The impact of social media on depression

Author's note: I would like to preface this post, lest it sound too negative, by saying I have met a few truly lovely people on Twitter and other such sites. These observations are about my experience overall, and are not meant to belittle the positive contributions of the few. Those few are the reason why I am still here.

I am relatively new to the world of social media as an active participant (rather than a studier thereof; I did learn its workings in college along with all my other web expertise); I think I have been actively engaged in it for about 3 or 4 months now. I got involved because I wanted to find my place in a community of active readers and writers, to get my work noticed on a realistic but noteworthy scale once I publish it, and to find work to purchase that really speaks to me as a person (a lot of mainstream media and books that are traditionally published really do not). I have always been a consummate 'outsider' and I hoped to find a community of other outsiders so we would all be outside together, which is in effect to no longer be outside at all.

I am also a sufferer of mental illness; bipolar disorder, to be precise and to satiate curiosity. Despite my illness, I have a long-honed positive attitude, high creative output, and lively energy, or... I did.

I cannot, of course, blame my experience with the internet alone for my current 'relapse' into negativity, depression, and frustration. I have been through hell in my 'real life' over the last year, and my life, like that of too many among us, has never been what you would call easy. I have experienced poverty, abuse, being abandoned by loved ones, etc. Be that as it may, I find social media is detracting from my recovery and overall state of mind, rather than being a venue for hope and support, and that is a problem. It's been bothering me so much that I sat down today despite advanced exhaustion to try to figure out all of Why.

One of the major reasons why is the complete lack of validation or being truly 'seen'. I feel like the internet kind of swallows me in a vast sea of white noise every time I spend too much time on it. It's not a feeling I am used to. For all my struggles in my offline life, I am used to my talents being validated by those I interact with, as long as I put in the required work to make them shine. I was always the student who, to give an example, spent long extra hours on their photography assignments and as such got straight As and their work shown off to the class as a good example. By contrast? Spend hours touching up, uploading, etc. those same photographs to deviantart, and not one person so much as takes the time to +fav most of them. I know I'm good, but it's hard to keep believing it sometimes, in that situation.

In my writing classes, my positive experience was always similar. I was diligent and paid close attention to what my professors told me, listening with humility and taking their advice, rather than being sensitive to constructive criticism, arrogant, or lazy. I was rewarded with brilliant grades and my poetry professor calling my progress over the semester an 'amazing literary journey'. He encouraged me to submit my work to publications, which is why none of my better work appears on this blog; I am saving it for such.

Basically, here's the thing: I'm used to hard work being rewarded with actual recognition. I don't expect to be treated like the second coming of Jesus for being able to write or do half decent digital art or what have you, and I have NEVER expected opportunities to simply come to me. 99% of talent is perspiration and persistence. I am beginning to fear, however, even that rule doesn't seem to exist in cyberspace, and that has a nose-dive sort of effect on depression. It removes the hope that things will get better, that all of this is going somewhere.

People with depression already tend to feel invisible. Entering into situations which validate that sensation is profoundly unhealthy. Similarly, we tend to be plagued by feelings of hopelessness, loneliness, and worthlessness. Forcing yourself (when you barely have the energy to even eat, or shower) to get up and do things like write or take photographs or create art, and to give those things your absolute BEST when you as a being feel like utter shit, is a monumental effort. It's like toiling your way up Mount Everest during a slow avalanche of molasses. And then to add to the above, the internet is FLOODED with absolutely jaw-dropping work in some areas (photography and digital art, primarily), so you are reduced to feeling like you could not compete even if you had the requisite energy to be prolific and the money needed to buy $10,000 worth of equipment and travel to picturesque locations. Recognition begins to seem like the byproduct of privilege, rather than hard work. That is oppressive.

Compounding all of that is feeling like 80% of those you follow on every site you share your work or words on is largely full of people who don't see you, but instead see you as one of many potential cows to be milked for money or greater exposure -- a surefire way to make one want to give up and shut off the computer. Even worse, it discourages one from bothering to create because obviously nobody that notices you even exist CARES about that aspect of you. You are just part of a perpetual, invisible audience.

Now, I really don't have anything against shameless self-promotion in and of itself, or advertising. I want other authors and artists to get recognized and validated for what they do. I want independent writers, bloggers, and those like me that suffer with limiting and sometimes invisible disabilities to be able to make a living in relative comfort. I'm not a greedy person; I want for others what I want for myself, quite freely. But when self-promotion is ALL YOU DO without taking the time to notice or talk to or promote your fellow independents or share anything of yourself, you contribute to a complete lack of community that comes around to make the life of newcomers entering the scene harder. Also, dear authors, let me just say this: I am far, far, far more likely to buy your work if we talk a little (even a few tweets!) and hit it off, or if you just talk about yourself as a person and your passions and show some of your heart, than if you just spam my twitter timeline with your book 589 times per day. In fact, I unfollow people who do the latter.

If we talk, or I like who you seem to be, and we have some modicum of chemistry as human beings, I am likely to assume your writing will speak to me, too. If I have no sense of who you ARE because all you do is self-promote without adding any context of actual self to it, I'm unlikely to purchase your work unless it looks bloody amazing. I am unlikely to even keep following your accounts; I don't follow 'brands', like Coke or Pepsi, so why should I make an exception and follow you? In my sense of the online community, we're here to build each other up and take a united stand against the limiting world of traditional publishing and media, it's not all about you trying to make a fast buck.

You would be amazed at the number of authors I have reached out to with an offer to help promote their work entirely without charge who have completely ignored me. No perfunctory "Thank you, I will keep that in mind" -- nothing. This rejection of basic human courtesy and generosity is something I have never experienced in the 'real world'. What is it about being behind a screen that encourages people to treat their fellow man as less than human? (Or less than animal; personally I have never ignored a dog or cat with that kind of flippancy, either.) It says something about the nature of people and the future of communication that is, in itself, depressing.

I think, personally, it's time to stop putting real personal effort into social media and put that energy back into doing what I love, and when I have more spoons, into submitting my work to physical publications and attending physical meetings of authors, artists, and poets. Aside from my blog and Goodreads, which actually does seem to have some semblance of community vibe, the rest is going to get my bare minimum of effort. Likewise, I am going to attempt a gradual shift away from following authors and start following more readers and everyday folk who use twitter to, well, socialize.

And to others suffering from mental illness or another disability, let me say this: What at first may appear like a great 'low spoons' method of interaction, validation, and exposure, may have too high a hidden cost, so choose where you invest your time wisely, and remember to keep good boundaries.

Peace and health to you all,

-Phoenix

Sunday 28 July 2013

Detroit: Dystopian Paradise

I have a fascination with abandoned buildings and generally desolate, eerie places. I find them beautiful in a chilling, stilling way that makes one pause to reflect.



I've always been a tad morbid, but not negative. In the silence I see hope, the idea of new beginnings, of building something better. Detroit seems to embody so much of that (from the 'Paris of the Midwest', to a sprawling post-apocalyptic drug mecca, to being largely reclaimed by nature -- a center for urban farming to take root and artists to flourish); it's hard for me to even comprehend such a place exists in one of the wealthiest nations in the world. America is such a bizarrely polarized country, or so it seems to my outsider's perspective. I've only ever been to the country briefly, once, many years ago. I went to upstate NY and I have to say it was creepy as hell in its own right. I'd love to go back but can't convince anyone in the family to drive me...








Some links to further excellent photographs and articles:

http://www.wired.com/rawfile/2013/01/detroit-dave-jordano/

http://sararemington.blogspot.ca/2011/09/detroit-rock-city.html

http://laughingsquid.com/escape-to-detroit/

http://www.63alfred.com/thewalls.htm





Saturday 27 July 2013

So, this happened.

It happened about a week ago, to be specific, but I hesitated on posting about it because I didn't want to come across like a nut. But, I have given in to the temptation to write about it, because it keeps nagging at me and if nothing else it may give you horror and paranormal writers some inspiration.

I have had quite a number of inexplicable things happen to me over the years, but I wrote most of them off as 'weird, but not definite proof of anything specific'. I'm not a 100% closed-minded person by any means and believe in a wide range of spiritual concepts, but I lean towards a healthy dose of skepticism. It keeps an imaginative person like yours truly balanced.

I have seen UFOs, but at a distance -- not close enough to prove them as, yes, definitely a giant alien spacecraft hovering on my front yard, complete with little green men peering curiously at this lower life form. I have heard the sound of someone invisible loudly clapping their hands beside me (even ghosts think I'm awesome!), and had an invisible force shove my leg hard enough to move me sideways, but one cannot definitely prove those things as not being bizarre hallucinations. The only proven odd experience (one which I had a second reliable witness with me at the time of, who observed the same phenomena) I have had is seeing blinding white flashes of light indoors in my room, as if someone had just pressed the flash down on a camera. Now, I am one of those freaky hermits that sits in their room with their blinds closed and curtains drawn most of the day (the sun creates glare on my laptop screen, hiss), so this definitely was not caused by anything outside the room.

But, whatever, right? Maybe I just have some really enthusiastic static going on in there. My presence is electrifying, even to dust.

All of these experiences seemed isolated and benign and never took up much of my conscious thought, which I have mostly devoted to other deeply important things, like Skyrim and memorizing which stores sell the plain kind of Fritos, not just barbeque. Then last week, I had a dream.

In the dream, some kind of entity shifted form, between several people I was close to in the past, who frankly treated me rather horribly and then abandoned me like the happy-go-lucky, soul-sucking leeches they are. When I figured out I was in a dream (something I almost always do -- I know, in my dreams, that I am dreaming. I figure it out, have a full conscious awareness, and even the ability to CHANGE my dreams if I don't like them. My head is my own personal Choose Your Own Adventure novel, you guys), the entity felt 'caught', and tried to flee. I chased it to a closet. When I opened the door to the closet it had shut itself in, before me stood a seven foot tall, red and black demonic... Thing. Which then attacked me. I fought back, and it retreated. I woke up. I thought damn, that was weird, but it was just a dream. And I moved on with the rest of my day.

The following night, I was up late, as is my habit. I was at my bestie's place and we were sitting on our computers. The cat was asleep beside me. All the windows and doors were closed up for the night. The house was still.

Suddenly, we hear an enormous crash. The clock on the kitchen wall, which must weigh 3-5 pounds, has flown across the house, more or less. A good 15 feet. I am not exaggerating this. The nail on which it hung is still perfectly stuck in the wall. The clock seems to have crashed against the fridge on the opposite side of the kitchen, ricocheted, and broken, at precisely 3:33 am, for no readily apparent reason. This clock had previously hung on its wall without an issue for years.

Well, that's odd. I didn't let it get to me, though, mainly because I was too lazy to be freaked out enough to go home or even go upstairs. I shrug and go back to the internet (priorities are priorities, after all). This, my dear readers, is why horror is the one genre I simply cannot write. Can you imagine it? "Just at the moment the terrifying apparition appears and the windows begin to rattle as if shaken by the distant thunders of hell, our hero sees something really interesting on Tumblr..."

Yeah, that one isn't going to work out for me.

As I browse the net like the alarmingly complacent social media junkie I am, my bestie says to me, "It's really odd the clock stopped at exactly 333. In chaos magic that's the number of a major demon." Curious, I look it up. Yep, he's right. According to chaos magic (which I don't know much about, so don't ask me how credible it is, but I tend to treat all religious beliefs as equally credible), it's the number associated with a major demon who is apparently known for changing form frequently, and attacking people before staging mock retreats, as if luring them into the false notion they can beat him. Well, looks like the weird cake just got its icing, kids.

Fortunately, I am pleased to report that I haven't yet started speaking in tongues, crosses haven't started vanishing from houses I enter, the walls aren't bleeding, and basically nothing too spooky has happened since. I am guessing that he didn't enjoy all the hours of browsing for humorous pictures of cats.

Tuesday 23 July 2013

Macoun Marsh, Ottawa

This surprising little patch of life, home to 1200 species known species of flora and fauna, directly abuts the sprawling, manicured grounds of Beechwood Cemetery, just off of St. Laurent Boulevard.


Macoun Marsh is lucky to exist at all -- it used to be part of a larger wooded area that flanked the southeastern end of the cemetery, an area which has since been lost forever to the increasing intensity of urban development within the city of Ottawa. The marsh was saved by the dedicated efforts of the students of the St-Laurent Academy, under the tutelage of teacher Mike Leveille and with the aid of the Beechwood Cemetery. It has since served as their research project, an 'outdoor classroom', and has won several awards for its unique efforts to preserve biodiversity within an urban space.









Many educational plaques line the trail:








I am personally very grateful to the efforts of these students and Mr. Leveille; I believe conserving small patches of truly natural land such as this one within the city is vital to the health, well-being, and harmony of us all, along with conserving valuable islands of habitat for rare species. The tranquility of these microcosms within the noise, smoke, and stress of the urban world is priceless. In my photos, I tried to capture the essence of that essential peace.










Prints of some of these are available on my deviantart page for any who are interested: http://phoenixjackson.deviantart.com/